Sovereign.
Deadly. Perfect.
That is
how they describe the films of famous director Cordova, not necessarily how I would
describe Marisha Pessel’s Night Film. The book was fabulous and met all expectations it created
which made it both satisfying and a bit easy to guess.
Ashley
Cordova, age 24, is found dead in a warehouse in lower Manhattan . Everyone believes that she jumped.
She was, after all, the daughter of Stanislas Cordova, the director of movies
so terrifying they have been banned from theaters. His most devoted fans hold
underground viewings, but even they have not seen Stanislas in 30 years. No one
has.
Journalist
Scott McGrath lost his career the last time he tried to expose Cordova, but
Ashley’s death brings him back on the case and deeper and deeper into the
secret, dark world surrounding Cordova’s supposed retirement.
I loved
how it took you on the journey, the slow build into mysticism, broken just long
enough that you begged to bring it back. Anything but the simplicity you were
being offered. You wanted the darkness to be real.
I also
loved how Pessel interspersed internet articles and pictures, because it made
the book feel so real. In addition, if you download an app to use to scan
hidden elements of the book you can watch movies. Or something. I haven’t tried
it, because I’m lazy.
Do you
dare?
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